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To Be An Eagle

by J B Sullivan on 2/28/2010 2:54:38 PM
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To Be An Eagle by J B Sullivan

Have you ever seen an eagle drawing? I have. I’ve seen eagles scribing lazy circles hundreds of feet in the air. I’ve seen them drawing high speed lines over grassy fields. I’ve seen them drawing a bead on unsuspecting rabbits and ground squirrels. I’ve seen eagles drawing. And, I’ve seen a drawing of an eagle; several in fact.

"Empty Nest" was my drawing about a bald eagle leaving his nest in a flurry of adolescent feathers kicked out to fend for himself. A bald eagle falling into the sky from a post six feet high turned into my drawing, "Eagle On A Post."  The drawing, "Eagle Hearts" honors a wedding and featured a bird and her reflection mated for life. The two birds are alike, but different. Just like a happily married couple.

Graceful lines, sharp beaks, powerful claws capture my attention and in doing so draw on my imagination. Perhaps it is my imagination that makes the eagle’s story come to life for me.  Perhaps it is many years experience hiking and working outdoors.  Perhaps it is a combination of watching and waiting.  

Whatever the story, freedom is found in eagles.  Freedom from demands of cell phones and e mails, and artificial urgency.  It is the freedom found in the struggle for survival where there is time just to be an eagle.

"To Be An Eagle" is the first of three eagle drawings I'm currently working on. "I Am Eagle" is also finished that you can see at Art Works, New Work Collection

During March 2010, "To Be An Eagle" is my monthly special purchase.  Check it out at Monthly Special.


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Dog Commissions - Drawings of Man's Best Friends Part 4 of 4

by J B Sullivan on 2/26/2010 11:59:24 AM
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Some people think you have to be a famous or glamorous person to warrant an original art commission.  Actually, some of my favorite commissions aren't of people at all ... they feature dogs.

Since I was a kid, I've always enjoyed dogs.  Storm, my current German Sheppard, keeps me company while I draw, exercises me with a daily walk, and keeps me laughing when we play his favorite games.   A friend  claims Storm is my favorite artist's model which, of course, he is.

This piece is called "Home Alone." It reflects the look Storm gives us when he realizes we are leaving and he is not! 











One of my favorite artists who creates wonderful hand turned wooden lamps takes his miniature beagle with him everywhere.  Thelma is small enough to stand on Alan's arm.

Boomer got his name because of his bark which is so loud, it sounds like he is booming.  This drawing is Boomer as a pup.  Now he stands 3 feet tall.  But he still booms!


Shadow and Lightning were visiting in Colorado when their owner asked me to draw them.  I worked very hard on a composition that complimented both dogs, one large and one much smaller.











Please contact me if you would like a drawing of your own dog or other pets.  You can see additional examples at Dogs and other commissions.


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Musicians' Commissions - Juxtaposition of Performing and Two Dimensional Art

by J B Sullivan on 2/24/2010 11:31:44 AM
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I have especially enjoyed drawing performing artists. And, I greatly enjoy listening to music of many kinds. The very most fun for me is listening to the work of the musician I am drawing. What a symbiotic experience! They play, I draw. I honor the following musicians with a combination of my drawing and a short bio of their expertise.

Barbara Haffner Drawing

Barbara Haffner

Barbara Haffner is a professional cellist whom I met in Jackson Hole, Wyoming, where she was playing in one of the local summer concert series. While creating photo references for Barbara's commission, she lovingly played her cello and I took about a 150 photos. 

We talked about her early days as an musician, starting when she was only five years old. In the drawing, I included a depiction of her as a child learning to play foreshadowing her current, very professional countenance. It was truly a joy to meet, photograph, talk with, and draw this lovely woman whose music is equally lovely.


Darren Skanson Darren Skanson Drawing

I first heard Darren playing at an art festival. His soothing music adds to the ambiance at many Colorado summer art shows for visitors and artists alike.  Darren's light classical guitar music has a timeless classical sound with familiar melodies and fresh new compositions.

With 25 years of study and performance, Darren Curtis Skanson is a force that is rising. People of all ages love the timeless classic sound of his guitar. As well, he is an all around wonderful person, dad, and survivor in the challenging world of performing arts. I enjoy listening to Darren play over and over. Check him out at
www.skanson.com


Gregg Hansen
Gregg Hansen

Gregg always seems to have a smile on his face which reflects his smooth, mellow, musical guitar style.   A lifelong professional musician, Gregg has engaged in many international styles of guitar and percussion as a performer across the country. 

He often plays with a celtic group called Peace and Love and Jigs and Reels. If you like Irish music, you'll be smiling and clapping when you hear this group. Plus, he is a great drummer who taught me about the concept of entrainment. Look for him wearing the same cap as in the drawing I made of Gregg, a great guy and a very talented musician. Here's one link to his work
www.pljr.com


Zack Nichols Drawing
Zach Nichols

One of the wonderful things about Zach is just how much his family loves him and supports his musical talent. I was floored when I found out this young guy has already played at Red Rocks here in the Denver foothills. WOW! That's usually a venue for the older and nationally established performers. So, that's my way of saying, this guy's music is already on a big time roll.  

His music has been described as having a mellow acoustical feel to it including an incredible voice. He's such a handsome guy, too.  I don't get to draw the young and talented very often! Give Zack a listen at
http://zacknichols.com.

Coming next "Dog Commissions - Part 4 or 4"

You don't have to be a musician to request your own commission! Please visit
Commissions by J B Sullivan to see other examples and download a brochure about how to order a commission.  Or, just contact me directly with any questions.


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How To Commission Your Own Original Art Part 2 of 4

by J. B. Sullivan on 2/19/2010 3:19:49 PM
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Reading About Katrina

As an artist, I am elbow deep in original art every day. My drawing board, studio, my house, and my art tent are filled with original art. I know the special joy of original art because I am creating it every day. My patrons, however, may have few, possibly no original art. Undertaking a commission of original art can be challenging to anyone. In part 2, I will discuss some practical aspects of commissions. (To read Part 1, click Commission Your Own Original Art Part 1)

You may already have found a favored artist. If not, I encourage you to visit art festivals, art exhibitions, and art galleries in your local community where you can view the actual art itself. Look closely. Ask questions. Websites are another way to narrow the field to a specific artist. Remember that not all artist accept commissions. Be picky about your artist.

You may also have a favored medium. I once met a woman who had a room decorated in only black and white. Her choices ranged from photography to charcoal, but all the art was rendered in only two colors. Try to determine your own personal preference. Don't worry about what is popular. Don't even worry about the art you already own. 

A commission should speak to you and part of the way it does that is through the artistic medium.  Although many artists work in several mediums, you should feel comfortable that their best work represents the medium you prefer.

You will need to select your subject matter. Perhaps it is obvious to you - a dog, a grandchild, or your favorite view. While it is preferable for the artist to meet the actual subject, this may be impossible. Thanks to modern technology, even an old photo can serve as the basis for a commission. You should count on your artist to render a composition concept. 

I often spend many hours in Photoshop, cropping, re-positioning, and enhancing the photos I receive. This process allows me to be creative and consider various compositions before I start drawing. As my wife often notes, once I start drawing, I don't want to start over!

Then again, some patrons possess a photo of their loved one that they wish me to draw. Sometimes, it is straight forward. Other times, it is more complicated. One of my customers wanted her family dogs to look like they lived in Colorado and with aspen and columbines in the drawing. I was able to import some photos of flowers and trees along with her dogs to show her the concept I had in mind. It worked!

You should be vocal about the art you are requesting. At the same time, keep in mind that artistic creation is based in the artist's perception and rendering. I find that emailing photos of the work in progress to my clients gives both of us the opportunity to adapt, correct, and reinforce our respective views.

On a practical level, I ask for a 50% non-refundable retainer before I accept a commission. I figure that I’m going to spend a considerable amount of time working with you to create just the right art for you. Frequently I create concept drawings or Photoshop mockups and will not begin the final work until you and I agree that this is the ideal concept. The retainer is my guarantee that I’ll get paid for my upfront preparation time. The other 50% is due upon completion. I will not accept the final payment unless you are satisfied with the outcome. This is your guarantee that, in case you don’t like the outcome, you are not out everything. This is fair as we both risk a little and gain a lot. Other artists undoubtedly have other views. 

When it comes to matting and framing your commission, you have many choices. The first obvious choice is to take the finished art to a professional framer. On the one hand, I know you and your art very well, having lived with it for many days. I can frame it for less than a commercial frame shop.

So, if you're wanting your own original art, these are the reasons and steps to get going. Unique, yours, original - that's the commission process. Enjoy each step!

You can reach me at 303-526-2370 to talk about your commission questions and request. See more examples of my portraits at Commissions

Coming up Part 3: Drawings of Musicians - Juxtaposition of Performing and Two Dimensional Art


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Commissioning Your Own Original Art Part 1 of 4

by J. B. Sullivan on 2/15/2010 5:40:03 PM
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Seasoned Cowboy by J. B. Sullivan

Have you thought about having an artist create something special just for you? Once you see original art of your own choosing hanging in your own house, you will forever be able to enjoy the unique and special pleasure of commissioned art.

This article offers some practical tips to help art lovers take the plunge and get your very own commission underway. I'm using the term "commission" instead of "portraits" because in addition to human beings, my commissioned work includes dogs, horses, and even a huge buck. See  J B Sullivan's Commissions for examples of my commissions.

My father once said of my mother’s art, “Art in your home reminds your family members of the things most precious to you. Whether it is portraits of people important to you or wildlife you enjoy or the scenes of nature that give you peace, original art speaks to what you value most.”

The best part of a commission is that you get ORIGNAL art of a subject you choose. Yes, original art costs more, but you are the only one who will be able to enjoy the quality, essence, and craftsmanship of that original piece. Even with modern capabilities of printing reproductions, original art is the most powerful representation of what you hold dear.

Plus, you get to select the art you wish to see on your walls. Many patrons want to preserve the unique faces of their children at a certain age.    I have completed "heritage" portraits of grandparents, often a request of families who retain few photos of older generations. A surprising number of my commissions are of pets who have left an indelible mark on their owners' hearts.

Commissions are a gift of a lifetime. Commissions transcend generations. The art you have commissioned is a treasure to pass down to future family members. Of all the things we leave to future generations, original fine art allows us to share a special moment in time, a story about you and your era in a very unique way.

When I work on commissions, I am given a very special window into the lives of my clients. We bond across the miles from my drawing board to their homes as I learn more about a beloved pet, an unforgettable grandfather, or the wildlife viewed at mountain cabin. I am telling your story.  Because it is your story, the more of it I can soak up, the more it goes into your commission.

In part 2, I will cover some practical steps about how to undertake a commission. Stay tuned!

Questions? Comments?  I look forward to hearing from you!


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